Belfast Confetti Ciaran Carson Essay

Belfast Confetti Ciaran Carson Essay-50
Spaces between words, paragraphs, verses, they just didn’t really exist.Some speakers who wrote their speeches down in order to be able to read them added some to show where a pause would be.

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An infra-red beam, trained on that window from a remote location, will be modulated by the vibrations, which in turn can be converted into audio: this is the “Laser Ear”, reputedly used by British Army surveillance teams in Belfast and beyond in the 1980s.

In retrospect, Blackshaw’s Windows vibrate with messages perhaps not considered by the artist.

If they are abstracted windows – hommages, perhaps, to Mark Rothko – they still remind us of real windows.

Anything we look at is conditioned by the eye of memory.

And there was more to windows than met the eye, as I discovered later.

When people talk in a given room, the window-glass, like the diaphragm of an old-fashioned telephone, vibrates ever so slightly in response to the sound-waves thus generated.

But the artist’s intention is not a reliable indicator of the artwork’s “message”.

For what the artist had initially in mind often turns out to be mistaken.

But as time evolved, and as printing presses made things the same, we came up with a system.

It’s not always set in stone, and it’s easy to forget that it’s really only existed as we know it for the last four hundred years. To be fair, emoticons do a far better job, and a 🙂 or a 😉 or a :-p can do wonders. If you want to read more about the AQA poetry anthology contemporary poetry, you can find my ebook here.

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