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Gesgulg: Indigeous Cultural Expressions of Resistance and Decolonization in Heavy Metal Music. Film Classification in Canada and the United States: The Freedom of Government Control.
The Numinous Cult(ure)e: Reconciling Québec’s religious heritage for a post-secular age.
The Hybrid Monumental Symbols of Canada’s Warrior Nation Moment.
The Mass Communication of Heritage Media analysis of Canadian Governmental policies and programs.
“Take Only Pictures, Leave Only Footprints’: The Cultural Resource Management Practices of Algonquin Provincial Park.
Indigenous Pedagogy in Formal Education: Effects on the Learning Experience.
Reconfiguring Assimilation: Understanding the First Nations Property Ownership Act in Historial Context.
Debwewin (Truth): A Contribution to Indigenous Scholarship. Progress, Resistance, and Other Social Myths: a feminist exploration of the ironies and ambiguities of online social regulation. “Metis Women and Memory: Learning to Live Beyond the Wounds of History” Research Paper. “Tourism Murals and the Post-Industrial Economy: Off the Wall Articulations of the Local, National and Global in Pembroke’s Millennium Mural” Research Paper. “Rocking the Divide: Notes on Gender Inequality and the Music Consumer” Research Paper. “Low turnout by Young Voters in Canadian Federal Elections: Problems and Solutions.” Research paper. “Dammed: Conceptualizing the Loss of Heritage Along the St.
Becoming a Qallunologist: One Qallunaa’s Journey Remembering Marble Island. Ideological Literacy and the Sociocultural Practices of the Ottawa Inuit. Supervisor: Donna Patrick Victoria Lynn Tenasco-Commando, 2010 (100696221). Drumming into the Heart of Nova Scotia: An Exploration of Peninsular Culture and Branding. Supervisor: Richard Nimijean and Peter Hodgins Cindy Gaudet, 2009. Transition, Transformation, Revolution: An Assessment of Open Access Discourse and Practice in Canada.
Lifting the curtain: The Effects of Canada and Québec’s Cultural Integration Policies on the Representation of Majority Group Identity and Ethnocultural Groups. Supervisor: Anne Trepaniér (readers Danic Paventean-RMC, Eva Mackey) Peter Gibbon 2010. Staging Diversity: the Canada Council for the Art’s Equity Office and its Role in Canadian Theatre.
Supervisor: Allan Ryan Lindsay Steele Snider, 2010. From Indians to Canadians of Convenience: A New Site For the Deployment of A “Made in Canada” System of Alterity.