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To fill the gap, Bach cultivated other patrons, such as Frederick’s youngest sister Princess Anna Amalia, for whom he wrote several organ sonatas and possibly his two organ concertos.Another new musical outlet was his participation in the so-called Berlin school, a group of composers who set German texts as songs to be accompanied by keyboard.The book continued to be used into the nineteenth century, long after C. Nichelmann left the court, and Bach received a raise.
Bach came closest to escaping the shadow of his father, the incomparable J. This situation was not to last, however; the revival of J. Bach’s music was in full swing by the early 1800s, while C. By this time, however, he had already begun composing, and, like many earlier Bachs, it was clear where his future lay.
In fact, during the late eighteenth century, the younger Bach was actually better known than the elder. Two years later, he entered the University of Leipzig and enrolled in the law program.
Carl Philipp Emanuel hated his time there, although he was the catalyst for a remarkable encounter between the young king and C. E.’s father, the great Johann Sebastian, which led to the creation of J. Bach’s “The Musical Offering.” (There’s a fascinating and insightful book all about this meeting, Evening in the Palace of Reason by James R. But it also established the rationale for expressivity in music: "Since a musician cannot move others unless he himself is moved, he must of necessity feel all of the affects that he hopes to arouse in his listeners." That was something nobody had said before, and Haydn, Mozart and Beethoven took it to heart.
His first major post was in Berlin, as a musician in the court of Frederick the Great. For instance, keyboard players use their thumbs today because of the influence of this book.
Carl Philipp Emanuel Bach, known as Emanuel by his contemporaries, was the second of J. His mother, Maria Barbara Bach, died when Emanuel was six. The final move of Emanuel’s childhood was to Leipzig in 1723.
Bach’s music, particularly the highly individual and varied music for keyboard, was rediscovered. Born in Weimar on March 8, 1714, with Georg Philipp Telemann serving as his godfather, he and his family moved to Cöthen three years later. Bach took Anna Magdalena Wilcke as his second wife.He continued his music-making there, writing pieces for festive occasions at the university and also performing some of his father’s works. Bach’s position as harpsichordist was not as prestigious as that of , but there were other advantages.We do not know much more about his activities in Frankfurt, but he must have made quite a reputation for himself. From 1742 onwards, with the hiring of a second harpsichordist, Bach had every other month free from courtly duties and thus had more time to compose or teach. Bach wrote large quantities of keyboard music, as he had also done earlier in his career.The first part was published in 1753 and dealt with fingering, ornaments, and performance. Around 1750, Bach apparently began to grow unhappy with his Berlin position, as he made two attempts to take over his father’s former position in Leipzig. 1755 was also the year that Bach engaged in a war of words with the second harpsichordist at Frederick’s Berlin court, Christoph Nichelmann, who found Bach’s playing style fussy.The second part, published in 1762, mostly discussed accompanying. Despite the support of his godfather Telemann, his applications were rejected both in 1750 (the year that the position was left vacant due the death of J. By bringing the matter to Frederick II, however, Bach got the last word.Bach’s final concert, on April 9, 1786, included two of his choral works, one of his symphonies, an aria by Handel (“I know that my Redeemer liveth” from Messiah), and several excerpts from his father’s compositions, including the Credo from the Mass in B minor. We’re celebrating Carl Philipp Emanuel, born on March 8, 1714, the 2nd surviving son of Johann Sebastian. Here’s one of the examples he included with the text, the Fantasia in C minor: "Springtime is upon us.Also as a result of the war, Bach joined the militia (although he never actually fought in a battle).Bach made another attempt to transfer out of Berlin in 1767.Another important part of Bach’s output at the Berlin court during the period was his chamber music, especially trios.Because of his employer, flute was often a featured instrument.